“Traces of the Medieval Working Class in the Land of the Paris Cathedral Chapter,” Different Visions 10 (2023), pp. 1-43.
“The Image of Notre-Dame: Architectural and Artistic Responses to the Cathedral of Paris,” in The Analysis of Gothic Architecture, ed. Robert Bork (Leiden: Brill, 2022), pp. 264-287.
“et caelum recessit sicut liber involutus: Hierarchical and Eschatological Connotations of the Southern Italian Exultet Rolls,” in Les figurations visuelles de la parole, du son musical et du bruit, de l’Antiquité à la Renaissance, ed. Sébastien Biay, Frédéric Billiet, and Isabelle Marchesin (Paris: Publications numériques de l’Institut de recherche en Musicologie, 2022), pp. 203-211.
Translator, “The Façade of Saint-Gilles-du-Gard: The Visual Strategies of a Political Agenda,” Gesta 61, no. 1 (Spring 2022), pp. 1-26.
Consultant, “A Divine Ambition,” National Geographic (February 2022)
“Technology to Freeze Time at Lassus and Viollet-le-Duc’s Notre-Dame of Paris,” Future Anterior 17, no. 1 (Summer 2020): 47-59.
“Musical Imagery in the Global Middle Ages,” Smarthistory (2020)
Translator, Notre Dame Cathedral: Nine Centuries of History (University Park: Penn State University Press, 2020)
“Twenty-First Century Gothic,” Wall Street Journal Cultural Op-Ed (2019)
“Religious Freedom and Architectural Ambition at Vassar College, 1945-54,” in Modernism and American Mid-20th Century Sacred Architecture, ed. Anat Geva (London: Routledge, 2018)
